On the tail-end of our frustration at the long lead time in getting publishers signed up, Arthur was asked to speak at the Footnote Summit. He spoke at the summit about the tough truths we’d learned about selling to publishers. His talk was very well received, and while we were concerned that the points we covered might be taken badly, it seemed that they resonated with those championing the cause in their larger publishing companies (it even prompted a long-awaited registration or two).
One of the outcomes of the Frankfurt Book Fair in October was that I met two potential funders for Paperight. In November, Arthur and I had conversations with both of these leads. While, ultimately these discussions did not lead anywhere, it was incredibly useful to find out what potential investors are interested in, and what kinds of questions they are likely to ask.
I continued to work on our translation project applications, meeting with partners who may be able to offer advice on moving forward. We were turned down by JK Rowling’s agents, who were reluctant to move ahead with a new distribution model, but who invited us to reapply when we could work around those concerns (or relieve them). We facilitated the transfer of Future Managers’ titles, uploaded Xhosa Fundis titles, signed on with Worldreader to distribute the Paperight Young Writers’ Anthology on their platform, started planning an #authorsforaccess campaign with Marie (this later went onto the backburner), and tested document conversions using automated PDF-PDF.
- Passion (2/11/2013)
- Lorisha Educational Publishing (4/11/2013)
- Bunya Publishing (13/11/2013)
- Wordsmack Publishing (14/11/2013)
- Lorca Damon (15/11/2013)
- Siber Ink Publishers (20/11/2013)