Tag Archives: featured

Designing the #textbookrevolution

The bulk of my time at Paperight during 2014 was taken up by the #textbookrevolution campaign. This was by far the most well-planned, well-executed and successful campaign we did to date. For the first time, we agreed upon our messaging, plan of attack and the scope of materials that we needed far in advance of starting work on putting the campaign together – a ridiculous thing to say in retrospect, but meticulous marketing planning was something we only learned late into the game, mostly due to the fly-by-the-seat-of-our-pants approach the entire company sometimes had for most of the time I was here.

The bulk of my work for the #textbookrevolution focused upon executing everything we had learned up until this point:

  • focusing on outlets that we could trust
  • defining areas in which our advertising could be focused
  • creating easily customisable materials
  • curating compact and effective product lists
  • synchronising our messaging and launching our campaign on online platforms as well as with physical materials
  • focusing on cheapness and availablility as our main selling points

As such, the material designing process was by far the easiest out of all the campaigns that I worked on.

To make the campaign seem more coherent, all materials and official posts made by us made mention of the hashtag #textbookrevolution. This was a successful idea – it made it easy for us, for example, to construct and conduct conversations focusing on campaign-related topics on social media, as well as being an innate call-to-action for social media commentary on the topic.

A fun project that we worked on was the creation of a series of beer coasters that had games and quizzes on them, along with Paperight advertising, including taglines with variations on “Cheaper Textbooks. More Beer”. I created six designs – three games and three quizzes – that were printed in quantities of hundreds and passed out at university campuses and student bars in Stellenbosch and Cape Town. It’s difficult to gauge exactly how well these coasters increased engagement, but we did find numerous mentions of them on social media, often along with the #textbookrevolution hashtag.

The weak link with this campaign, again, was some outlets’ reluctance to reciprocate the amount of effort we put into advertising their businesses with some semblance of preparation for or engagement with the campaign on their part. Again, potential customers were turned away from outlets that we had informed of the campaign, or had bad service from them. This was probably, I might speculate, because management had not passed on word on the campaign to their front desk staff. In some cases, outlets were mentioned specifically on posters, and had agreed to be mentioned on those posters, but turned away or offered customers lacklustre service when they came in.

This has been the most major flaw in the workflow of the Paperight model as it exists now. The success of the model depends on too many variables outside of our own control. Although that’s the nature of our business, it does not work as well for outlets as we would like it to, as we essentially outsource the bulk of our end-user customer experience. In other words, a customer’s experience with us is only as good as it is at the outlet.

And, another thought, for every one customer that was turned away and told us of their experience, how many were turned away and stayed privately dissatisfied?

Streamlined Paperight Product Catalogue

paperight_streamlined-catalogue_cover_20131104In November of 2013, we launched our beautiful streamlined Paperight product catalogue (PDF). Having worked with the previous catalogue as an intern which is a long, impenetrable list, I was adamant that we should upgrade it as soon as humanly possible.

The upgraded catalogue required fewer products and lots of colours and images to hook potential customers. One of the experiences that book buyers particularly enjoy is the sensation of browsing and this was meant to be a way of giving Paperight customers that experience.

Oscar and I worked on the list of content that would fit into the following broad, browsing categories:

  • matric exam packs
  • high school
  • young adult reading
  • teen reading
  • textbooks
  • tertiary education
  • classic fiction
  • teaching aids
  • child teaching
  • african literature
  • religion & spirituality
  • childcare
  • self-help & reference

Nick and I worked together on the concept for the catalogue and the necessary design feature-y type things that would make the finished product really easy and enjoyable to dip into. In the end, Nick took everything we discussed and created an absolute masterpiece. Slick and eye-catching, there is no way that anyone wouldn’t be impressed by Paperight and the featured titles.

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The catalogue was launched through the weekly newsletter and on the Paperight blog. Outlets were encouraged to contact us for personalised copies featuring their own logos, business addresses and contact details. We have continued to receive a regular number of requests from business owners for personalised copies and Nick has been able to keep up with the edits due to the simplicity of the catalogue’s design. In other words, his no frills design approach has made the final document simple and quick to edit.

The catalogue was designed to be relevant from November 2013 to April 2014 to ensure we would not have to design a new catalogue anytime soon. Based on the marketing plan, we knew that we would have very busy months ahead that would leave no time for a full catalogue overhaul. Any newer updates to content have been featured through the weekly newsletter and through the Paperight Facebook page.

Paperight Young Writers’ Anthology 2013: Launch and Promotion

Before the completion of the compilation, I assisted with reading the entries, selecting pieces for publication, shortlisting for category winners (judged externally) and overall proofreading of the Paperight Young Writer’s Anthology 2013 (hereafter referred to as the PYWA). I entered the project as an intern in April 2013, but took over the marketing elements of the project in July 2013 as part of my promotion to the role of Marketing Manager.

On Youth Day, the 16th of June, the PYWA was released. This fantastic publication necessitated my first batch of press releases sent on behalf of Paperight. I sent press releases to:

  • contributing schools to congratulate them on their students’ success and let them know where they could purchase copies
  • outlets close to these schools advising them to promote the PYWA in store and prepare themselves for students looking for copies
  • media contacts, both national and regional, to tell them about the project and the PYWA’s release. We also encouraged them to get back to us to interview Oscar, the Anthology’s editor, or to request a copy for review.

998756_494574667290081_1936338491_nAlong with these press releases, I wrote a Facebook conversation plan in order to give our Paperight fans a taste of what the compilation entries were like. We selected quotes from longer entries, entire poems and illustrations to make beautiful posts (designed by Nick) for Paperight fans and PYWA contributors to share. We also posted stories of our visits to schools in the Western Cape, to hand out certificates to contributors and prizes to category winners. These stories were posted on the Paperight blog, too.

This conversation plan was Paperight’s first ever predetermined conversation plan. It ran from the 31st of July to the 9th of September 2013 (the Monday after the Open Book Festival Launch, mentioned below). It was supposed to end with a call for submissions for the 2014 edition, however, due to a shortage of resources, the project has been indefinitely postponed.

1077233_494957547251793_48523986_oWe used the weekly newsletter to remind outlets to promote the anthology in store by putting up posters and ensuring their staff are prepared to handle queries. In addition, we included links to blog posts on news items about the PYWA to inspire enthusiasm for the title.

This initial push was then followed up in September 2013 with an official book launch at the Open Book Festival in Cape Town. Arthur hosted a panel discussion between Oscar, Nick Mhlongo (author), Hedley Twidle (UCT lecturer) and Sarah Rowan (poet) to discuss the necessity of encouraging writing among South Africa’s young people. Invitations were sent to media contacts asking them to attend the event and offering copies of the Anthology to be reviewed. Copy shop owners and staff in the Western Cape were also encouraged to join the festivities. The event was well attended and led to many sales of the PYWA (perfect bound copies printed by Mega Digital) through the Book Lounge.

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The Open Book Festival launch was filmed and edited into a punchy, short film by our film intern, Shaun Swingler. The film was then added to our YouTube channel where we have amassed our collection of Paperight related video content. It is definitely worth a watch!

One of the success stories to come out of the PYWA project is the fact that Eden College in Durban, the school with the most selected contributors, chose to use the PYWA as a prescribed English Literature set work for their Grade 10 students.

Marie-Louise starts at Paperight

My introduction to Paperight happened fairly haphazardly, as all fantastic things do. While helping out at a book launch for the Bay Bookshop in the Cape Quarter, I was having a well earned glass of wine and chatting to a librarian from the Cape Town Central Library and a creative writing lecturer from UCT. Both were inquiring about my next career step- as everybody seems to do with young people. Admittedly I had no idea, although I managed to say that I might be interested in finding a job in publishing. Paperight was mentioned as this great new publishing start up and once I did some research, I was sure that I’d found the best place to really test my mettle.

The interviewing process was nerve-racking only because I’d already made up my mind that I wanted to be on this team. Nick and Yazeed made my first interview incredibly welcoming, but sitting in the meeting room in front of 7 people and trying to be the best ‘me’ possible (while balancing precariously on an exercise ball) made me very anxious.

But in the end, I got the job!

My role at Paperight started as a Marketing and PR Intern with my main priorities being to assist Nick and Yazeed with their burgeoning workloads.

I would have to describe my plunge into the deep end as both exhilarating and utterly frightening. The sheer number of programs I needed to download, along with online apps that I suddenly needed to learn to use left me feeling intimidated and wondering if I may have bitten off more than I could chew. However, I coped and eventually learned to type my queries to the team through Skype instead of asking them out loud (a real challenge) and started to wrap my head around what a company wiki is and how to use the back end of WordPress.com sites- among so many other things.

My first assignment was to collate a media list for Paperight to take over their own PR output from Nichole Sochen of Al Dente PR. I started by downloading a .pdf copy of the Government Communication and Information System (GCIS) media list before copy-pasting useful contact details into a Google Docs spreadsheet while also coming up with a system for housing this kind of information. I also backtracked through the Paperight record of media mentions to gather contact details of journalists and publications who had already featured Paperight’s work – the Paperight fan club, if you will.

The initial brief was to fill five separate categories of media contacts, namely Technology, Entrepreneurship, Education, Books and Literature Pages, and Human and General Interest. After trying to work with these categories for the first 2 months or so, I found them wholly useless and have abandoned using them since. However, I can imagine they would be helpful to those encountering the media list for the first time and not the umpteenth. :)

For every press release, a copy of the master sheet is made and all details of the release are recorded, for example who it is sent to, the date and which emails come back as undelivered. All of this information assists with follow ups and maintenance of the contact list.

From Nick’s side, I took over the responsibility of drafting most of our written output. This included, the weekly newsletter, blog posts, press releases and cover letters. My drafts would then be handed onto Nick for final editing to benefit from his keen journalistic eye and seasoned understanding of Paperight’s distinct brand image.

From Yazeed’s side, I assisted with the on-boarding process of new outlets (welcoming them, advising them on how to use Paperight.com and adding them to the outlet map), follow-ups with and support of old outlets, as well as initiating a small number of new outlet sign-ups.

These responsibilities became regular, weekly tasks over my first three months with the Paperight team. Specific projects during this time have been split into the months they occurred so read on to find out more!

New experiments shipped

From September to November we’ve put together a number of new experiments in product mix and marketing.

It’ll be interesting and hopefully valuable to see what works.

We also got out of the office a bit:

We learned a lot of hard lessons about how and now not to describe Paperight to consumers. This and other feedback and experience in October led us to completely overhaul our messaging … and our marketing focus, shifting from pushing ‘Paperight’ to pushing our outlets and backgrounding Paperight.

  • 24 Sep 2012: Well-received panel discussion titled “The Future of the Book” at the excellent Open Book Festival in Cape Town
  • 11 Oct 2012: Our comms manager Nick was on national TV show ‘Hectic Nine 9’, and wrote it up on our blog. Here’s the video. It didn’t go as planned. We learned a lot of hard lessons about how and now not to describe Paperight to consumers. This and other feedback and experience in October led us to completely overhaul our messaging (from standard pitches to site UI) and our marketing focus, shifting from pushing ‘Paperight’ to pushing our outlets and backgrounding Paperight. (More on that in a separate post.)
  • 15 Oct 2012: Content manager Tarryn attended the Frankfurt Book Fair. Here’s her blog post about it.
  • 7 Nov 2012: We announced our Paperight Young Writers Anthology: a collection of writing and illustration by high-school learners to be published on Paperight in 2013
  • 20 Nov 2012: I spoke at the Owl Club, a most venerable institution. Here’s the text of my talk.

A number of people have been talking about us. Some highlights:

Growing the team and its home

So I’ve been growing our team in numbers and, I hope, quality, for nine months now.

Tarryn and Nick, our content team, have been amazing. Both high-achieving type-As, they’ve ensured our products are meticulously documented and organised. A recent achievement has been their forty-page Paperight user manual for outlets. It’s beautifully written, and includes not only step-by-step guidance on using the site, but also clear guidelines and suggestions for how to use Paperight to grow a printing business, even beyond printing books out for people.

The content team has also been keeping our blog busy – Nick’s author-of-the-week posts are particularly enjoyable. We have a growing mailing list, and Twitter and Facebook followings. These will be increasingly important over time.

A major highlight of the last two months for me has been hiring our outlet team. Zimkita, Zukisani and Yazeed joined us in April with the job of signing up outlets and providing ongoing training and support to them. Each brings a different skill set to Paperight that’s been invaluable: Zukisani has contacts at almost every school in the Western Cape, especially in the underprivileged areas we’re targeting; Zimkita’s six years at Vodacom customer service make her our friendly and meticulous email- and phone-support person; and Yazeed’s experience running his family’s business, combined with a startling energy for producing high-quality work, brings great business-savvy to the team.

moving-in-arthur_2012-05-24 12.50.48An unglamorous but critically important side of our work over the last months has been Paperight’s back-office setup and systems (check out our view above).

Most importantly, Paperight is now a registered company with bank accounts. We’re days from moving into our new offices (sublet from Electric Book Works). We have workflows around various online tools for bug tracking, accounting, and document management, and our internal wiki is now a substantial store of invaluable info, from guidance to new staff and practical how-tos to recommended reading for team members.

My fellowship newly underway

So, I’m three months in to my Shuttleworth Foundation Fellowship, which is three months into building Paperight full-time. If you don’t know, Paperight is a website that turns any business with any printer into a print-on-demand bookstore. So, what have I been doing with that time?

The first thing has been to get a working demo, or prototype site, up and running, so that we can show the service to others, test some ideas, and develop our vocabulary and sign-up documents in a live environment. So I knocked that together in WordPress during September, along with a bunch of back-room workflow tests and documentation. It’s been hugely valuable.

With that done, it was time to start talking seriously to rightsholders, licensing agencies and content aggregators. So in October I headed off to the Frankfurt Book Fair and London to speak to a wide range of people. And the response was, almost entirely, overwhelmingly positive.

Two years ago, when I first asked publishers about the Paperight concept, they were cautiously optimistic, but many were worried about how their books would look, and how much they would cost to consumers. Luckily for us, since then Amazon Kindle has shown that most readers just want stories and info, and that easy, affordable distribution is often more important than high-end production values when you’re growing a market. Suddenly a book printed out on A4 paper seems just fine. Especially if it’s on every street corner in countries you’ve never sold in before.

So there were far fewer concerns from publishers about Paperight in 2011 than in 2009. Where there were concerns, they have been really helpful in tailoring our message. I certainly have a much better idea of what makes publishers interested in using Paperight. One key issue – which I discussed recently on the Paperight blog – is that Paperight can compete with piracy on accessibility, convenience, and often in total cost (energy, time, money).

Rightsholder agreement

Our messaging is captured largely in our rightsholder agreement, which is really short, and in plain language. It took a lot of time and effort to get it that way. This is really important to us, because Paperight is built on the idea that the once arcane world of rights and licensing can actually be managed simply, and anyone can participate in it. I went through the distribution contracts of a bunch of other businesses, took the most important concepts, and boiled them down to simple sentences and paragraphs. The input of Foundation alumnus Andrew Rens was really valuable here, too. It’s something we’ll constantly evolve, but I’m pleased with the way we’ve started.

Pricing

Another important area of our messaging is pricing. Most people find it hard to believe it can be cheaper to print a book out than to buy a copy that the publisher printed in its thousands. But now we can show in most cases that that isn’t true. In the video that goes with this post, I give a concrete example of how a publisher can earn as much from a Paperight sale as from a conventional book sale, and yet save the consumer more than 25% on the retail price of the conventional edition.

Content

My conversations with rightsholders and others have also led to discussions about putting a range of non-book content on Paperight, including newspapers, exams, sheet music, classifieds and administrative documents.

The process of prioritising and prepping this content will fall to our content manager.Tarryn-Anne Anderson joined us in November to work on this. Over the next couple of months, she’ll also be putting together a print catalogue of books and documents we think people will like, and we’ll put that catalogue in copy shops around the country. It’ll include textbooks, novels, past matric exam papers, how-to guides and more. And from that we hope to learn more about what print-shop customers are likely to find most valuable.

The website

last-screenshot-live_20120509_10-43pm_cropMeanwhile, all along I’ve been working on a redesigned site that will replace the working prototype in the first half of next year. It’s simpler and will be much faster. And it’ll give us the ability to distribute certain documents in certain regions, which is crucial to publishers who want to reach new markets without competing, for now, with their conventional editions in their home markets.

This means long hours studying and developing user interface and user experience best practice, and chatting to print-shop managers about how their stores work, and how the Paperight site can best work at their point of sale.

Here’s an early mockup of a product page, prepared long before I built the prototype.

paperight_home_signed-in_bookview_20101123

The Shuttleworth Foundation

Working with the Foundation has been fantastic. I get to share ideas with and learn from a group of seriously amazing people, who’re working in mobile technology, user-created publishing, biocultural communities, open knowledge and educational resources, peer education, open data, citizen cyberscience, new approaches to IP, and more. And the Foundation staff work tirelessly to support our work and help us focus on making an impact. They all make the Paperight team much bigger than it seems on paper.